‘Wazir’ is a tale of two unlikely friends, a wheelchair-bound chess grandmaster and a brave ATS officer. Brought together by grief and a strange twist of fate, the two men decide to help each other win the biggest games of their lives. But there’s a mysterious, dangerous opponent lurking in the shadows, who is all set to checkmate them
The film's soundtrack album was composed by a number of artists: Shantanu Moitra, Ankit Tiwari, Advaita, Prashant Pillai, Rochak Kohli and Gaurav Godkhindi.The background score was composed by Rohit Kulkarni while the lyrics were penned by Vidhu Vinod Chopra, Swanand Kirkire, A. M. Turaz, Manoj Muntashir and Abhijeet Deshpande. The album rights of the film were acquired by T-Series, and it was released on 18 December 2015.
"Did you see it?" the man asks.
Dear Torso, it will read. Thank you for the ride. But I've found a better rhythm.
By an Anonymous Chronicler of the Broken Spire
Lee doesn't ask questions. She simply unscrews the cap, rolls up her left pant leg, and pours the light into the pores of her shin. Sexanastasia drinks it. The hairs on her leg stand up like antennae, and for ten glorious seconds, she can see through time. She sees the original owner of that prosthetic right leg—a girl who fell from a balcony while reaching for a star. She sees the man in the tuxedo drown in a glass of champagne, laughing. She sees a future where her left leg finally detaches, grows a spine, and walks away to start its own life as a philosopher.
It began three years ago in the rains of the Lower Penthouses. Lee had been performing The Dying Swan on a stage suspended over a chemical canal. Mid-plié, her left knee locked. Then it turned . It pivoted one hundred and eighty degrees backward, and the foot—still in its satin pointe shoe—began to tap a rhythm that was not in the score. A rhythm like a telegraph key. Like a heart begging to be let out.
Her right leg was a marvel of carbon-fiber and stolen cathedral glass, a prosthetic that clicked a hymn when she walked. But her left leg—the one she called Sexanastasia—was a different story. It was flesh and blood, but it had a mind of its own.
They called her Leg Sexanastasia Lee, though no one could remember who gave her the first name or why the middle one sounded like a curse muttered in a forgotten language. She was simply Lee to the street sweepers and the night-market chiromancers—a woman of impossible stature and unsettling grace.