X-men-apocalypse

Yet, when the credits rolled, audiences were left with a peculiar feeling. For a film about the first and most powerful mutant rising to cleanse the Earth, the result felt paradoxically small, crowded, and strangely safe. The film introduces En Sabah Nur (Oscar Isaac), a blue-skinned, technologically-enhanced mutant from ancient Egypt. Worshipped as a god, he is betrayed during a pyramid transfer ritual and buried alive for millennia. When a young, misguided Mystique follower named Moira MacTaggert accidentally triggers his resurrection in 1983, Apocalypse awakens to a world he despises—one weakened by technology, religion, and what he sees as the "weakness" of peace.

In 2016, the mutant saga attempted to go bigger than ever before. Following the massive success of X-Men: Days of Future Past —a film that cleverly erased the franchise’s weaker entries and united the original cast with their younger selves—director Bryan Singer set his sights on the ultimate villain. The title promised biblical-scale destruction: X-Men: Apocalypse .

The solution? Jean Grey unleashes the "Phoenix Force" (introduced here without the decades of comic-book setup). She simply flies at Apocalypse, disintegrates him, and it’s over. After two hours of building him as an unkillable god, the first mutant is defeated by a teenager’s untrained deus ex machina. It is narratively unsatisfying and robs the team of a hard-won victory. X-Men: Apocalypse is not a terrible film. It has moments of genuine emotion (Fassbender’s family tragedy) and genuine fun (the Quicksilver scene). Michael Fassbender and James McAvoy remain perfectly cast. The young newcomers are promising.